Do these Stone Age symbols push back the origins of writing by tens of thousands of years?

Nope. The real finding is even cooler.

Do these Stone Age symbols push back the origins of writing by tens of thousands of years?

Did researchers just find evidence that writing is tens of thousands of years older than previously thought?

Nope, but you’d be forgiven for reaching that conclusion after reading these headlines reporting on research published in the Proceedings of the National Academy of Sciences last week:

Stone Age symbols may push back the earliest form of writing (New Scientist)
Ancient art could hold clues to the origins of written language (Scientific American)
Ancient artifacts hint at earliest protowriting (Science)

And here’s how the New Scientist article opens:

Stone Age people 40,000 years ago used a simple form of writing comparable in complexity to the earliest stages of the world’s first writing system, cuneiform, according to a study of mysterious signs engraved on figurines and other artefacts found in Germany. If confirmed, this pushes back the emergence of a proto-writing system by more than 30,000 years. (New Scientist)

Big if true. In today’s issue we’ll look at what the study found, why it doesn’t push back the date of the earliest writing by tens of thousands of years, and why the findings are actually way cooler, giving us insight into the very nature of what it is to be human.

Background: Behaviorally modern humans in Europe

The fact that sequences of geometric signs recur so frequently and systematically in the archaeological record of this period suggests that they had some sort of meaning.

The earliest groups of Homo sapiens to arrive in Europe appear ca. 45,000 years ago (ya), and with them an artistic explosion in the form of cave paintings, petroglyphs, carvings, and engravings on bone or ivory, and a marked increase in the overall diversity of the types of artifacts associated with human activity.

An Upper Paleolithic cave painting (ca. 16,000 ya) from the Lascaux cave in France (Wikimedia Commons)

This archaeological period is known as the Upper Paleolithic (Late Stone Age), and is typically associated with the emergence of behavioral modernity—when humans begin to exhibit abstract and symbolic thought, advance planning, and social learning. During this era, we see a dramatic increase in figurines of people and animals as well as objects adorned with sequences of geometric signs like lines, crosses, and dots. This archaeological industry associated with the first modern humans in Europe is known as the Aurignacian complex.

A 40,000-year-old mammoth figurine from Vogelherd Cave in Germany. Universität Tübingen/Hildegard Jensen
The Venus of Hohle Fels (ca. 42,000–40,000 ya), the oldest undisputed depiction of a human being (Wikimedia Commons)
The Adorant figurine (ca. 35,000–32,000 ya) from Geißenklösterle cave in Germany depicts an anthropomorphic figure on one side and a sequence of notches and dots along its edges and back. Landesmuseum Württemberg/Hendrik Zwietasch
*️⃣
Note that anatomically modern humans, i.e. Homo sapiens, existed well before behaviorally modern humans. While the earliest remains of Homo sapiens date to 300,000 ya, widespread evidence of behavioral modernity doesn’t appear consistently in the archaeological record until the Upper Paleolithic, ca. 50,000 ya. The development of these cognitive traits is often associated with evidence of denser populations and larger social networks in early humans. This fact has in turn led to the social intelligence hypothesis, the idea that the need to engage in and keep track of complex social interactions within large groups was a major evolutionary driver of increases in human brain size and intelligence.
Book cover of “Baboon Metaphysics: The Evolution of a Social Mind” by Dorothy L. Cheney and Robert M. Seyfarth, featuring a photo of two baboons sitting on a tree branch with a baby between them, with the title in large tan letters at the top and a short quote from Nature along the bottom.
Amazon | Bookshop

Linguist Christian Bentz and archaeologist Ewa Dutkiewicz were especially curious about the sequences of geometric marks: Were they just decorative, or did they have specific meanings? The fact that sequences of geometric signs recur so frequently and systematically in the archaeological record of this period suggests that they had some sort of meaning, maybe as tallies of kill counts, or marks on a lunar calendar, etc. For example, the Adorant figurine shown above, carved from mammoth ivory, depicts a lion-human, and is engraved with dots and notches in rows of 13 or 12. These engravings could well be calendric observations made to keep track of the passing of time. In fact, another study from 2023 argues that sequences of lines, dots, and Y shapes frequently found on European cave paintings of animals from the same time period were used to record information about the mating and birthing cycles of commonly-hunted animals (a phenological calendar).

So it’s entirely plausible that the sequences of marks in Aurignacian artifacts have some type of symbolic meaning, but how could we ever possibly know?

Examples of possible proto-writing in Upper Paleolithic cave paintings, thought to represent phenological calendars (Bacon et al. 2023)

Reporting

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